Dans cet ouvrage devenu «culte», Warhol concocte un pot-pourri irrévérencieux et drôle de ses points de vue sur l'art et la société. Avec un mélange de sérieux et de dérision, il procède à la remise en question des valeurs sacrées de la civilisation américaine et développe des théories originales sur des sujets que l'on n'avait pas l'habitude d'explorer au moment où est paru le livre. Sous une apparente frivolité, il dévoile les idées fondatrices de sa pratique artistique, par exemple sa conception toute personnelle de la beauté. L'ouvrage se construit sous forme de dialogues imaginaires entre A et B, abordant à bâtons rompus, et sur un mode provocateur, les thèmes en apparence les plus disparates.
La relation complexe qu'ont entretenue Andy Warhol et Jean-Michel Basquiat a toujours fasciné le monde de l'art. À une époque où Warhol, grand prince du New York cool, jouissait d'une renommée mondiale, Basquiat, jeune talent issu du coeur trépidant de Manhattan, émergeait soudain de la scène graffiti. Ensemble, ils nouèrent une relation personnelle et professionnelle électrisante.Documentariste prolixe de son propre univers, Warhol le mentor a immortalisé sur pellicule et sur papier son amitié turbulente avec Basquiat, dans le décor du centre de New York des années 1980. Il en dévoile la profondeur émotionnelle, mais aussi les ambiguités, les limites et la complexité.Produit en collaboration avec la Fondation Andy Warhol et les ayants droit de Jean-Michel Basquiat, cet ouvrage retrace la relation entre les deux hommes à travers des centaines de photos publiées pour la première fois de Basquiat, ponctuées des apparitions fulgurantes de personnages tels que Madonna, Grace Jones, Keith Haring et Fela Kuti. Des extraits des célèbres Andy Warhol Diaries, les journaux intimes de l'artiste, ainsi qu'une sélection d'oeuvres réalisées à quatre mains et une profusion de documents d'époque viennent compléter ces clichés. Touchant, intime et parfois ironique, Warhol on Basquiat lève un voile indiscret sur la vie de ces deux étoiles parmi les plus brillantes de la constellation artistique moderne.
Une histoire illustrée par Andy Warhol en 1963, pour la marque de maroquinerie Fleming-Joffe : celle de Noah le boa, une bête de mode qui veut faire partie du beau monde. Après avoir rencontré Cléopâtre, il va jouer les accessoires pour les Rockefeller, Jackie Kennedy ou Diana Vreeland, puis découvre Paris, Coco Chanel et les Folies Bergères.
'Good b.o means good "box office." You can smell it from a mile away' The legendary sixties New York pop artist Andy Warhol's hilarious and insightful vignettes and aphorisms on the topics of love, fame and beauty. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
Une série de livres pour faire aimer l'art aux enfants et favoriser un premier regard sur les oeuvres des artistes du XXe siècle.
Chaque tableau ou chaque sculpture, choisi dans les collections du musée national d'art moderne, se révèle au fil des pages à travers le déroulement des images, des questions, des surprises graphiques, des jeux. Un tête à tête avec les oeuvres qui ouvre au jeune public les chemins du Musée. Non pas une Liz, mais Dix Liz. Liz Taylor, superstar a fasciné Andy Warhol, le roi du Pop Art. Dans ce monde où " Tout est joli ", s'épanouissent des fleurs aux tons acidulés.
Découpez-les, et dix Liz en série vous souriront dans leurs cadres de papier. Femmes-fleurs ou beautés fatales, Liz et Mona Lisa ont le même sourire, fragile. Bientôt effacé. Mais leur image est éternelle et invite à bien des voyages.
Andy Warhol kept these diaries faithfully from November 1976 right up to his final week, in February 1987. Written at the height of his fame and success, Warhol records the fun of an Academy Awards party, nights out at Studio 54, trips between London, Paris and New York, and surprisingly even the money he spent each day, down to the cent. With appearances from and references to everyone who was anyone, from Jim Morrison, Martina Navratilova and Calvin Klein to Shirley Bassey, Estee Lauder and Muhammad Ali, these diaries are the most glamorous, witty and revealing writings of the twentieth century.
The sixth volume of the acclaimed The Andy Warhol Catalogue Raisonné, covering his paintings and sculptures from mid-1977 to 1980.
741 paintings and sculptures in volume 6 of The Andy Warhol Catalogue Raisonné were produced during an enormously inventive and productive period between mid-1977 and 1980.
Referencing Warhol's diary entries, Polaroids, contact sheets, and Time Capsules, this publication documents his final series and commissioned portraits of the late 1970s, featuring the 273 paintings from his epic Shadows project, which spans the period covered in Volume 6.
It also includes the Retrospective and Reversal series, Hearts, and Studio 54 paintings, as well as the BMW Art Car and the artist's first works made with diamond dust.
The autobiography of an American iconbr>br>''I never think that people die. They just go to department stores''br>br>Andy Warhol - American painter, filmmaker, publisher, actor and major figure in the Pop Art movement - was in many ways a reluctant celebrity. Here, in his autobiography, he spills his secrets and muses about love, sex, food, beauty, fame, work, money, success, New York and America and its place in the world. But it is his reflections on himself, his childhood in McKeesport, Pennsylvania, the explosion of his career in the Sixties and his life among celebrities - from working with Elizabeth Taylor to partying with the Rolling Stones - that give a true insight into the mind of one of the most iconic figures in twentieth-century culture.br>br>Andy Warhol (1928-1987), was an American painter, filmmaker, publisher, actor, and a major figure in the Pop Art movement. He also produced a significant body of film work, including the famous Chelsea Girls; characterised the epoch with the now-famous expression ''fifteen minutes of fame''; produced the first album by The Velvet Underground; and was nearly killed just two days before the assassination of JFK. br>br>If you enjoyed The Philosophy of Andy Warhol, you might like 100 Artists'' Manifestos, also available in Penguin Modern Classics.br>br>''Acute. Accurate. Mr Warhol''s usual amazing candor. A constant entertainment and enlightenment''br>Truman Capote>
This book charts the emergence of Marisol Escobar (1930-2016) and Andy Warhol (1928-87) in New York during the dawn of Pop art in the early 1960s. Through essays, interviews and prose, the book explores the artists' parallel rise to success, the formation of their artistic personas, their savvy navigation of gallery relationships and the blossoming of their early artistic practices from 1960 to 1968. The exhibition features key loans of Marisol's work from major global collections, along with iconic works and rarely seen films and archival materials from the Andy Warhol Museum's collection. By situating Marisol?s work in dialogue with Warhol's, this new collection of writing seeks to reclaim the importance of her art, reframe the strength, originality and daring nature of her work, and reconsider her as one of the leading figures of the Pop era.
"When we were making the 5 Deaths paintings, with the car upside down and the people underneath, Andy asked, 'Are they still alive?' as if the accident had actually occurred in front of us." --Gerard Malanga Within Warhol's Death and Disaster series, the so-called Car Crashes comprise the most numerous and diverse set of images. As Gerard Malanga writes in his accompanying essay, "We would return to this silkscreen again and again for several months; in effect, the first painting repeated many times over, this initiating Andy's serial imagery on separate identically shaped canvases, and anticipating the Flower paintings to come." The book also includes a contemporary interview between Malanga and Jeff Koons as well as a reprint of an interview between Malanga and Warhol from 1963.
Mudpuppy's Andy Warhol Soup Can Blue/Violet 300-Piece Puzzle is for puzzlers and Warhol fans of all ages. The jigsaw pieces are made of 90% recycled paper and come packaged in a sturdy stackable canister that measures 5" (13 cm) in diameter by 6" (15 cm) high made of 70% recycled paper. Tomato was the first of Andy Warhol's iconic Pop Art Campbell 's soup can paintings.
- Size: 5.5 x 4.25 x 4.25"
Carry this bag in style! The Andy Warhol Foundation Soup Can Tote Bag from Galison features Warhol's iconic illustration of the Campbell's Soup Can on one side and distressed stamped signature on the other side. This amazing bag also includes 3 different limited edition pins: Banana, Andy Self Portrait, Poppies with quote, "Pop art is for everyone." There is also a secondary hang tag which is a facsimile of an Andy Warhol art store receipt The tote is constructed using heavy gauge cotton canvas and sturdy red strap (with the perfect length to carry over the shoulder or alongside your legs). - Size: 17 x 15''
Dédiée aux portraits de femmes d'Andy Warhol (1928-1987) du début des années 1960 aux années 1980, Warhol Women explore les sujets féminins de l'artiste et sa relation complexe avec les mythes et les idéaux de féminité, de beauté et de pouvoir. La publication rend ainsi hommage aux nombreuses femmes présentes aux côtés de l'artiste tout au long de sa vie, de sa mère à Ethel Scull, en passant par Edie Sedgwick, Brigid Berlin, Pat Hackett et bien d'autres.
En une dizaine d'années frénétiques qui passent comme un songe - un songe aussi éveillé qu'électrique-, Andy Warhol mène à New-York et dans le monde une singulière guerre des images qui bouleverse les us et les coutumes de l'art héroïque comme ceux des mass-médias. Les peintures, les films, les photographies, les textes, les dessins qu'il produit par centaine sont ses armes - des armes d'autant plus efficaces qu'elles semblent d'abord inoffensives. Toujours, parfois à contretemps, les explosions se succèdent. La ligne de front qui se dessine depuis la Factory offre un profil ambivalent caractéristique de l'artiste : elle passe par le positif comme par le négatif, par l'intérieur ou l'extérieur, le dehors et le dedans, le haut et le bas, l'underground et le grand monde. Popisme est la chronique turbulente et lumineuse, cocasse et sérieuse, de cette guerre conduite à la vitesse de la pensée la plus féconde qui permet à Warhol, seul au milieu de la foule, de triompher de tous les malentendus sans les dissiper. «C'est un regard rétrospectif sur la vie que nous menions, mes amis et moi - sur les peintures, les films, les modes et la musique, sur les superstars et tous ceux qui constituèrent la scène dans notre loft de Manhattan, connu sous le nom de Factory.» Andy Warhol
Un cahier de coloriage à partir des dessins d'Andy Warhol. Equivalent anglais de "Le Livre des Coloriages, Dessins d'Andy Warhol", aux éditions Palette.
'He created his own universe and became its star' David Cronenberg, Guardian Andy Warhol carried a camera with him everywhere he went and, taken from ten years of extraordinary shots, his America aspires to the strange beauty and staggering contradictions of the country itself. Exploring his greatest obsessions - including image and celebrity - he photographs wrestlers and politicians, the beautiful wealthy and the disenfranchised poor, Capote with the fresh scars of a facelift and Madonna hiding beneath a brunette bob. He writes about the country he loves, wishing he had died when he was shot, commercialism, fame and beauty.
An America without Warhol is almost as inconceivable as Warhol without America, and this touching, witty tribute is the great artist of the superficial at his most deeply personal.
A cultural storm swept through the 1960s -- Pop Art, Bob Dylan, psychedelia, underground movies -- and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.
